Monthly Archives: September 2018

The Eyes Have It at the Wilmer Institute

We’ve been spending a lot of time in Baltimore at the Wilmer Eye Institute of Johns Hopkins in the past few weeks.  My hubby has a hereditary thing called “Marfan Syndrome” which among other things can affect your eyes.  (Though, as this link explains, “Marfan syndrome does not affect intelligence.”  This is good to know.)  The Institute is one of the best places in the country, maybe the world, for eye treatment.  So, although the hour-long drive is annoying, we are lucky it isn’t even further away.

The Institute HQ is located in one wing of the imposing, and impressive, historic brick Johns Hopkins Hospital building at 601 North Broadway.  One of the many waiting rooms is located at the base of an octagonal dome, the walls and alcoves of which form a small museum.  This is where I found myself earlier this week, with time on my hands as my husband was poked and prodded in a pre-op exam, so I tried to make the most of it.

A not particularly well lit bronze bust of Dr. Wilmer himself glowered down from high above in one alcove, flanked by some antiquated piece of eye exam equipment.  In the opposite alcove was the President’s Chair, which was used by a number of POTUSes for their eye exams in the past.  Historic photos of the Institute, its staff, and their scientific achievements lined the walls.  A multi-shelved display case took up part of one corner, with various items of historic eye care equipment.  (My favorite was the artificial leech, which was not explained there, but is here.)

 

Not a particularly well-curated mini-museum, with not much interpretation except for some fading, mostly handwritten labels.  But, still, good for whiling away a few minutes of the tedious waiting and worrying.  If you don’t mind Dr. Wilmer watching you.

 

 

A Spark in Salisbury

This past weekend, I attended and helped present some artists at the National Folk Festival in Salisbury, Maryland.   The National is a long weekend event organized by the National Council for the Traditional Arts in partnership with local organizations, which moves every three years (theoretically at least) between cities willing to give up a substantial portion of their downtown to street closings, endure the infrastructure that it takes to put up stages on said streets, and brave throngs of locals and tourists who (hopefully) swarm to the event.

It’s a huge gamble for a relatively small city.  But, to their credit, Salisbury bought into it (thanks to the persuasive organizers and a feeling that the city “deserved” such an honor as a prestigious national festival) and the result seems positive.  Even though it rained most of the weekend, people came out with their umbrellas and their rain slickers in numbers not expected in such weather.

As usual, the line up of artists was stellar, including some things that Salisburians have surely never experienced and never even imagined existed.  Inuit throat singers?  Peruvian scissors dancers?  Tap dancing feet as a percussion instrument?  Check.  And some local things that tourists didn’t know was a thing… like muskrat skinning and cooking.

 

On the Sunday, I worked with participants from the Pocomoke Indian National during a sort of pop-up presentation at their demonstration area.  They decided to show the visitors huddling under the tent, sheltering out of the persistence drizzle, how to make fire with friction, using a board and a sort of reed.  The visitors watched patiently as the participants tried time and again to coax a spark out of the damp wood.  Finally, a tiny spark emerged and took hold into an ember, which was nurtured into a warm flame.  Cheers arose from the small but attentive audience.

I thought that spark and the resulting flame an apt metaphor for the National in Salisbury.  From the spark of the idea to stage the National in the city, the flame of the festival resulted, and will hopefully bloom (despite the damp and other obstacles that might be thrown in the way) into two more years of an exciting event showcasing excellent folk practitioners from the region and the world.

Summing up Summer

Wow, here it is the end of summer already.  How did that happen?  After our Bengali visitors left, it seems the rest of the season just flew by.  And now its a soggy and humid Labor Day weekend.

So, that’s my excuse for not blogging more the end of the summer.  That, and the fact that my phone was in the shop for a week.  It is my primary camera now, for better or worse.  (And the dog ate my homework.)

There were some highlights – a bit of time on the Hilton Head beach despite most of the time helping my sister work out plans to transition our mom into assisted living.  A trip to California for Museum Camp at the Santa Cruz Museum of Art and History, and visit to the daughter in San Francisco.  A couple weekends at the cabin.  The lovely wedding of a good friend.  A bounty of green beans and tomatoes from the garden.  Some time around outdoor pools.

Here’s a few highly random photos highlighting those activities.

And so, fall looms on the horizon bringing (eventually) crisp weather and that “new school year” new beginnings vibe.  A sort of reset button for “normal life” after the time out of time of summer schedules and activities.

So, as summer 2018 fades into the sunset, no more excuses.