It all started with the Emotional Support Peacock.
The news of its owner trying to wrangle her bird onto a United flight broke the same day our Communities Connecting Heritage program group left for Kolkata, India. In our giddy state of excitement about the trip, we all giggled heartily about the ridiculousness of the idea.
When we got to India, we immediately began seeing images of peacocks – everywhere, including a huge photo of one near the baggage claim of the Kolkata airport. Were peacocks following us? Or were we just hyper sensitive to them in the near-out-of-body-experience of having flown halfway across the world on very little sleep? 
Well, it turns out, the peacock is the National Bird of India. It also figures prominently in Hindu mythology. As we traveled around West Bengal, I started taking photos of all the peacock images we saw.
My favorite was a saucy peacock depicted in a small scroll painting which I purchased in Naya Village, serving as the conveyance of one of the Hindu gods who is carrying an arrow. (This is probably Kartikeya or Murugan, god of war, but depending on which story you want to go with, there could be some other contenders.) 
Our colleague Ananya in Kolkata recently sent us some English translations of baul songs, which we had been asking about. As I read through the first one, I found – you guessed it – reference to peacocks. Here is the excerpt:
“What color is your cottage/on the shore of this bogus world?/The frame of your home is made of bones/and the roof is thatched with skin./But the pair of peacocks/on the landing-pier/hardly know that/they will end one day.”
I’m not sure exactly what that means, though I know it has something to do with the bauls believing that god lives within us. But it is beautiful poetry, especially the peacock part.
The very next song started with this phrase – I kid you not –
“If you wish to board an airplane/you must travel light/to be safe from the danger of a crash.”
Perhaps the United Airlines personnel who banned the Emotional Support Peacock from that flight had been listening to the bauls, as should we all.


















attended the weekend before) showed us their work and sang us some scroll songs. Then, they brought out a variety of natural materials which they use to make paints – flowers, leaves, berries, and fresh tumeric – and we all laughed as they showed us how to squeeze and squish these to produce vibrant colors.
















The Dynamic Gingerbread Trio – Katie, Khamo and I – just finished our goopy, inedible creation, which we’ve been meaning to make for about a week now, or at least in time for Russian (Orthodox) Christmas (January 7). Inedible because it is a kit that I purchased for $1.50 at after Christmas sales about five years ago. The “ready to use” frosting was so hard that we had to revive it with hot water to make it usable, and it smelled nasty.
We were also late, but not that late, with our tree, which has become a new holiday tradition at our house. We spend Christmas (the December 25th version) with my mom, sister and brother in law in Hilton Head, SC. It is usually about 75 and not feeling at all like Christmas, the only “white” part being the beach sand. When we return to Arlington on the 26th, we start the ritual of finding a Christmas tree – on the street.

After arriving at Hilton Head, I sought out early morning or late afternoon water features to bookend the busy days. 